ABC Album Reviews

The Lexicon of Love (1982)                 ****.5 (4.5)

Beauty Stab (1983)                               *** (3)

How to Be a Zillionaire! (1985)           ***.5 (3.5)

Alphabet City (1987)                            *** (3)

Up (1989)                                               *** (3)

Absolutely (1990)            GH               **** (4)

Abracadabra (1991)                            **.5 (2.5)

Skyscraping (1997)                             ***.5  (3.5)        

The Lexicon of Live (1999)                ** (2)

The Look of Love – The Very Best of ABC ****(4)

The Lexicon of Love – Deluxe (2004) ****(4)

Gold (2006)                        GH            ****(4)

Traffic (2008)                                       **.5 (2.5)

When ABC’s debut album The Lexicon of Love arrived in their native homeland, the Brits went absolutely nuts over it, proclaiming it a modern masterpiece. It was so well received in fact, that every subsequent release was considered a disappointment (some major, some minor) in comparison. Stateside, ABC’s debut didn’t have quite the same impact and this allowed their later work to be judged more fairly. Lexicon, meanwhile, has grown in stature and is now regularly considered one of the highlights of the early 80s British Invasion. “Poison Arrow” and “The Look of Love” remain the two best known songs from the album, but they are far from the only delights as “Date Stamp” “All of My Heart” “Show Me” and “Tears Are Not Enough” remain favorites. These lads could write a clever lyric or two as well as “If you judge a book by the cover, then you judge the look by the lover” ably demonstrates and there are more to be found. “Me? I go from one extreme to the other” probably describes most adolescents and young person’s emotional lives as well.   And check out the awesome album cover too! These guys knew their way around drama!!

Beauty Stab was greeted with outright hostility in the UK when it failed to continue nicely and logically from the debut. The songs aren’t as good or as catchy but it seems the less-than-precise production is what annoyed everybody. And what’s with the emphasis on guitars/drums over synths? Whatever. 30 years on, these are minor quibbles as the album is far from bad, though “That Was Then, This Is Now” is the only track that really comes close to anything on Lexicon. After the brutal press treatment, lead singer Martin Fry and guitarist/synthesizer whiz Mark White shuffled off the band moniker (and the other members) and essentially became a duo, though there would be occasional other members, who would essentially stop in for a bit of tea.

The resulting album How To Be A Zillionaire! provided their biggest US hit to date in “Be Near Me” and an equal classic in the (almost) title cut (“How to be a Millionaire!”). One suspects that had this album been the direct follow-up to Lexicon, ABC might have been spared some of their harshest press notices. The best songs on here are equal to anything on the debut, but that being said, there’s considerably more filler in this excursion and this filler sounds fairly dated too.

Alphabet City contains their final hit single “When Smokey Sings” which cracked the Top 5 in the US. Curiously, they’d never crack the Hot 100 Singles chart ever again. The accompanying album included the superior “The Night You Murdered Love” but nothing else was particularly memorable. Plenty of artists have gone on to release incredibly worthwhile albums long after their hit-making days are over, but it’s unlikely anyone but diehard fans will be particularly interested in any of ABC’s later work. This is a shame, actually as much of their latter albums are of essentially equal quality. Up contains “Where is the Heaven,” one of their best album tracks.

They began the 1990s with the very necessary hits compilation Absolutely though if anyone thought this was a “part 1”, they were sadly deluded. When ABC said goodbye to the 1980s, they also said farewell to their hit-making years. Abracadabra exists almost outside of time. There are no concessions to the 1990s and this album sounds defiantly 80s in tone and production. It’s also, unfortunately, unremarkable. Not bad, but nothing of particular interest either. Abracadabra was the final album to feature founding member Mark White. Afterwards, lead singer Martin Fry (who had been the primary leader for a decade) would essentially be a one-man-band continuing to tour and release albums sporadically.

“Stranger Thing” leads off Skyscraping and it’s easily their best song since “When Smokey Sings.” In fact, the whole album is surprisingly strong. “Who Can I Turn To” and the title cut are also of similar quality. Of course, the entire album sounds nothing like 1997 and seems designed to appeal to those who still love 1980s music but this is primarily a smoother more mellow sound. Then “Rolling Sevens” comes along and makes the listener question that assessment because it’s such an amazing and modern song.  The album does lose a bit of steam near the end but this is probably the best ABC album since 1985.

Unfortunately, lackluster is the only way to describe the follow up album The Lexicon of Live. Recorded live, nearly every song is missing the punch of the studio version and matters aren’t helped by an extraordinarily muddy recording.

Greatest Hits compilation The Look Of Love – The Very Best of ABC followed in 2001 and although the track listing is very similar to Absolutely, this is the compilation worth owning. Remastered sound and a groovy layout make this a winning package. Also, there are no remixes (like on Absolutely) leaving room for a few more (including newer) tracks. This was re-issued as Gold in 2004 with a 2^nd disc full of remixes and rarities. Another retrospective released at this time, the deluxe edition of The Lexicon of Love includes a 2^nd disc of live tracks and rarities. Those already in love with the original will enjoy this, but all newbies are directed to the original release 1^st.

Traffic arrived in 2008, eleven years after ABC’s last new studio album. While one would expect nostalgia to be the order of the day here (after all, would anyone who didn’t love ABC’s earlier work even consider owning this album), Martin is not looking back here. He’s not going to reinvent the wheel and he’s secure with his spot in 80s history, so he just gets on with another rollicking set of songs. Not as good as Skyscraping as no individual songs jump out as readily as the best there. For whatever reason, this album reminds moi more of Adam Ant than the classic ABC sound (though “Love is Strong” the only single sounds like vintage ABC.) Was this intentional? No idea.

All in all, if you enjoy 80s music, there’s a lot more to ABC than “Poison Arrow” or “Be Near Me” so do yourself a favor and check some of it out. This writer doubts you’ll be sorry.

ABBA

Reviewing ABBA's Albums

Ring Ring (1973)                                                                           ***.5 (3.5)

Waterloo (1974)                                                                            *** (3)

Abba (1975)                                                                                  ***.5 (3.5)

Greatest Hits (1975)                                                                     **** (4)

Arrival (1976)                                                                               **** (4)

The Album (1977)                                                                        ****(4)

Voulez Vous (1979)                                                                      ****.5 (4.5)

Greatest Hits Vol 2 (1979)                                                           **** (4)

Gracias Por La Musica (1980)                                                    ***(3)

Super Trouper (1980)                                                                  ****.5 (4.5)

The Visitors (1981)                                                                       ***.5 (3.5)

The Singles: The First 10 Years                                                  ****.5(4.5)

Abba Live (1986)                                                                          *** (3)

Gold: Greatest Hits (1992)                                                          ***** (5)

More Abba Gold (1993)                                                              ****(4)

Thank You For The Music (1994)                                             ***(3)

The Definitive Collection (2001)                                                *****(5)

The Essential Collection (2012)                                                 **** (4)

Live at Wembley (2014)                                                             ***.5 (3.5)

WHERE TO START: Gold Greatest Hits (1992)

OVERALL BEST ORIGINAL ALBUM: Super Trouper (1980)

OVERALL BEST COMPILATION: The Definitive Collection (2001)

For approximately an eight year period, ABBA were the world’s most successful musical act. In the 1970s, they brought more money into their home country of Sweden than anyone or anything besides Volvo. Millions of albums sold, #1 singles and albums in nearly every country in the world and sold-out tours. Such huge success almost invariably leads to a backlash and by the mid-80s, ABBA had become an act hipsters made fun of. Of course, the critics and the "serious" rock fans had always hated ABBA. Their resurgence in the 1990s and a re-evaluation of their work has led to something in the 2010s the act never had in their commercial heyday: critical respect! And why not? These are some of the greatest, most melodic pop songs ever constructed. Sure there's some corn, but if you can’t tolerate some cheese and schmaltz in your music, you’re going to pass most of this by anyway.

ABBA were Agnetha, Benny, Bjorn and Ani-Frida (better known as Frida). Yes, they were two couples and one can even somewhat follow their relationships (including marriage and eventual separation/divorces) through their music. But all that’s years down the road from Ring Ring released in 1973. This is by far their most ‘bubble-gum’ sounding record. Those familiar with their more popular period will be surprised how many songs the boys sing lead on in this debut. Highlights include “Another Town, Another Train” and “Disillusion.” There are no hit songs on this collection, making its listen-ability perhaps surprising. Yes, there are syrupy tunes such as “I Am Just a Girl” and “Me and Bobby and Bobby’s Brother” but then there’s a slight 70s cheese in much of ABBA’s work.

Waterloo gave Abba their first taste of chart success as the jubilant title track was a hit in numerous countries around the world. That song remains a classic but most of the rest of the album is fairly forgettable. “Sitting in the Palm Tree” passes the time nicely, but it’s unlikely you’ll remember a note of it once the album’s over. And that’s true for most of the tracks here. “Honey Honey” was the other (minor) hit single but “Hasta Manana” is probably the 2^nd best song on this collection.

Abba as we know them truly arrived with their 1975 album, appropriately titled Abba. Kicking off with ‘Mamma Mia”, this also includes ‘I Do I Do I Do…’ and ‘SOS” which is more truly the blueprint for Abba’s career. A mixture of pathos and joy that simply sounds fantastic, the booming chorus almost hides the fact that this is a love-lost song. There are still some lesser moments on here though such as “Rock Me” and “Intermezzo No” though it ends strongly with “Hasta Manana”. Highlights from the 1^st 3 albums can be found on Greatest Hits (1975) which may have seemed a premature release but was an enormous success at the time, becoming one of the best-selling albums of the 1970s. Regardless, it’s irrelevant now to all but completists as superior hits compilations have appeared in the digital age.

Arrival is the best of Abba’s first batch of albums. Classics that hail from this album include “Knowing Me, Knowing You” “Money Money Money” and perhaps their most overall popular song “Dancing Queen.” And there’s further stong cuts “When I Kissed the Teacher” “My Love My Life” and “That’s Me” – one of Agnetha’s vocal highlights. Also of note is the maturation in the songwriting of Benny and Bjorn – evident in “Knowing Me Knowing You” (which touches on divorce that would soon dominate much of Abba’s music) and more.

The Album contained one of their most successful US singles – “Take a Chance on Me” – which soared all the way to the top three in 1977. “The Name of the Game” and “Thank You For The Music” are the two other songs from this album that all Abba fans know. They’ve set the bar very high by this time and for the 1^st time, the new Abba album wasn’t really any better than the last. That would change with their next two albums – both of which can make an argument as Abba’s greatest overall album.

Voulez Vous arrived just as disco was beginning to die. While Abba’s music was always more ‘pop’ than ‘disco’, there was no denying that dance floors across the world had spun a lot of Abba music. The title track was probably Abba’s purest disco moment with its repetitive beats and chorus and was also one of the best disco singles of the decade. “As Good As New” kicked off the album in glorious fashion, as if announcing this foursome still had a few wonderful moments left in them. One of their most overwrought – yet undeniably appealing – ballads was “I Have a Dream” which became a showstopper in Abba’s live shows. “Does Your Mother Know” is the best song the guys ever sang lead on and may be seen as the counterpoint to “Dancing Queen.” “AngelEyes” “The King Has Lost His Crown” “Lovers (Live a Little Longer)” and “Chiquitita” round out this sterling effort.

 Super Trouper starts off with two of their greatest singles: the title track and the amazing “The Winner Takes It All”, which is one of their two overall greatest songs. One noted critic once stated that we never expected Abba to make us cry and then this song came along. Hyperbole aside, this is a powerful song about the end of a relationship and as both the relationships in Abba were dead or dying, it was hard not to see an autobiographical bent to the lyrics. “On and On and On” is a clever celebrity visit to a party. “Andante Andante” is another ballad that Abba were excelling with at this point in their careers. “Me and I” is a pissed off little number, completely forgotten and overlooked among the rest of the album, but nearly as good. “Happy New Year” was yet another heartbreak song. In fact, a general sense that life had become almost pointless permeated much of this album, even the more upbeat tracks (such as “On and On and On”). Not generally realized, but this is one of the greatest depressing albums ever made! “Our Last Summer” continued in that same vein. Perhaps the one upbeat note (well, if paranoid and possessive jealousy can be upbeat) is sounded in “Lay All Your Love On Me” that Erasure would cover so triumphantly in the 1990s.  The final track is “The Way Old Friends Do” which sounds another sad note. Not sure how to comment on “The Piper” so nothing shall be said.

The Visitors, ABBA’s 8^th and final studio album came out in 1981. By this time, both couples had separated and divorced. The feel good pop of earlier albums was missing. Instead, synths were prominent and songs of regret and sorrow were the order of the day. Ironically, this album received the best reviews ABBA had ever gotten from contemporary critics. Apparently, by being more ‘serious’, critics could see what had been right in front of them for years. The album cover says everything about the state of ABBA – the four members all stand or sit alone, aloof and apart from each other and everything in the room. There are, however, some great songs on this final package – “One of Us” ranks as one of their most bittersweet ballads. “Slipping Through My Fingers” grasped at a childhood disappearing. Musically “The Visitors” was one of their most unique tracks and both “Head Over Heels” and “When All Is Said and Done” kept up the high standards. Not their greatest album, but more than one critic has observed that it may be their most “interesting album”. It wasn’t actually planned as their final album (which seems hard to believe now) and they actually reconvened to record a follow up – but instead merely produced two singles (originally released on The Singles – The First 10 Years) but now added to nearly every edition of The Visitors and improve the track-listing tremendously because they are both great songs. “Under Attack” and “The Day Before You Came” became their final singles and in “The Day Before You Came”, they found one of their two greatest songs.

“Day…” was not initially a big hit, but it has grown in stature to where it places on top songs lists on a regular basis. There’s even great discussions and debates about what this song is about: the end of a relationship, the beginning of a relationship, murder, hiding that murder, murder victim. It goes on and on. The song is certainly amazing – both musically and lyrically - and it was a bold new direction for Abba, had they been interested in following it up.

Those final singles were the 2 new tracks on The Singles: The First 10 Years a nearly flawless two record set running through all of Abba’s biggest hits in chronological order. More pure pop pleasure can be found in its grooves than any single artist has a right to. This once essential set has been replaced by The Definitive Collection in the CD era. It was, however, a charming farewell gift to fans and even many of Abba’s harshest critics had to admit to its glories.

Abba Live was released during the great Abba slumber of the 1980s and went virtually unnoticed. Abba were (by all accounts) a dynamic live act but this album is really only for diehard fans. Everyone else is better off sticking to the original studio recordings.

Gold: Greatest Hits kicked off the Abba revival that has shown so signs of really ever ending. This particular compilation has become one of the best-selling albums of all time. It is an essential addition and has played at many a party and will continue to do so for many years. It’s missing a few gems, which are collected on More Abba Gold but the definitive collection is The Definitive Collection released in 2001 and is the best overview of the act ever released, covering all the hits and some choice album cuts too. Too long by half, the box set Thank You For The Music is for the devoted only. Sure, there’s a ton of great music onboard, but at this point, a wiser investment is the individual albums – all of which have been remastered and reissued in Deluxe Edition with bonus tracks and a bonus DVD telling the visual side of the story. 

There are other compilations out there (Love Stories, 20^th Century Masters, Number Ones) but these are redundant repeating the same tracks over and over again. In 2014, Abba Nation was surprised by Live From Wembley a never before released complete concert that is an improvement on their previous live set but, again, stick to the original studio versions until you’ve mastered them. Abba is proof positive that sometimes the fans are right and their contemporary critics are clueless. 40 years on, it all seems so obvious. 

Aaliyah

AALIYAH

ALBUMS

Age Ain’t Nothin’ But a Number(1994)                  *** (3)

Highlights: At Your Best (You Are Love), Back & Forth, Age Ain’t Nothin’ But a Number, Old School, I’m Down

One in a Million (1996)                                            ***.5 (3.5 stars)

Highlights: If Your Girl Only Knew, A Girl Like You, Choosey Lover, One in a Million, 4 Page Letter

Aaliyah (2001)                                                          **** (4 stars)

H: We Need a Resolution, Rock The Boat, More Than a Woman, I Care For You, I Refuse

I Care 4 U (2002)                                                     *** (3 stars)

Ultimate Aaliyah (2005)                                         **** (4 stars)

Aaliyah arrived on the scene in 1994 scoring two top ten pop hits in “Back & Forth” and “At Your Best (You Are Love)” and the accompanying album Age Ain’t Nothin’ But a Number sold over 3 million copies in the United States alone. Signed to a record deal at the age of 12 and recording her debut album at all of 14, Age predictably relies greatly on R. Kelly’s songwriting and production to carry much of the recording. Aaliyah’s vocals are never less than silky and smooth and the standout track “At Your Best” shows clearly her debt to Michael Jackson’s ballad stylings. A promising debut that barely hints at just how good she’ll be, Age is bogged down by a bit too much filler, though it’s never exactly dull. Never one to deny her influences, “Old School” showed her appreciation for those who paved the way.

For One In A Million, Aaliyah turned to producers Timbaland, Jermaine Dupri and Missy Elliott. Surprisingly, the album wasn’t quite as commercially successful as its predecessor (though it did sell over 2 million copies) but the best tracks are more than equal to her debut’s best songs. Lead single “If Your Girl Only Knew” was one of the first examples of Timbaland’s production technique of wedding hip hop beats to a classic R&B sound. “One in a Million” sounded even more unusual as Timbaland here took a nod from the drum-n-bass movement sweeping Europe. As is often the case, the US wasn’t quite ready for these sounds as both singles did respectably but failed to match the highs that Age singles scaled. The big pop hit was the power ballad “The One I Gave My Heart To” unlikely only in that Aaliyah should record a Diane Warren song. It’s the one direct comparison to Age (ballad against ballad “At Your Best”) where this album doesn’t top the debut. Meanwhile, “Choosey Lover” is a surprise; its smoky groove recalling haze filled lounges of a decadent Europe complete with guitar solo and a mid-song funk-out (hence the old school/new school subtitle). If there’s a knock against the album, at 73 minutes it feels a tad long with a bit too much filler near the end.

TRY AGAIN (the music video)

A full 5 years would pass before Aaliyah’s next full length album. In that interim, she’d star in a hit movie (Romeo Must Die) and contribute to the soundtrack including “Try Again.” Possibly her overall greatest song, this impossibly catchy ditty would climb all the way to the number 1 spot on the Hot 100 in 2000. Her self-titled 2001 release continued that maturity with her strongest set of songs to date. “We Need a Resolution” opens the album and Aaliyah has never sounded so confident. Things rarely slow down from here from the sensuality of “Rock The Boat” to the exuberance of “More Than a Woman” to the funked-up “Never No More”.  Aaliyah revels in contemporary sounds as even when she slows things down for “I Care For You”, the sound is undeniably modern. And unlike her first two albums, there’s no real filler here. Sadly, this incredible album had been out just over a month when Aaliyah died in a plane crash after filming the video for “Rock the Boat.”  Her early death seems especially tragic, considering she’d just released her greatest album. Where might she have gone next?

Naturally, when any artist dies, record labels see dollar signs in continuing to release posthumous recordings. Universal/Blackground have actually shown amazing restraint in this regard.  I Care 4 U came out in late 2002 and was a curious release. One can’t fault the music within, but it’s a bizarre hybrid – half greatest hits and half new recordings. Who among Aaliyah’s fans didn’t already have these hit songs? And the casual fans who wanted a hits collection probably wanted more hits and less new recordings?  Perhaps an actual hits collection and an EP of the new songs would’ve made more sense. Whatever. The new songs are actually songs that didn’t make the cut for previous releases, so it’s not as if we’re getting a sneak peak at a work in progress that was interrupted. Still, “Erica Kane” and “Miss You” are both worthy additions to the legacy.

ROCK THE BOAT (the music video)

There’s no doubt that Aaliyah has enough great songs for a 5 star single disc compilation but Universal chose to gift fans with a massive two disc set (in some territories, this came with a bonus DVD) called Ultimate Aaliyah. Rescuing a few stray tracks and containing highlights from all her albums, this set will either delight or frustrate long-time fans (who may bemoan having to spend so much $$ to get the few songs they don’t already own). Again, an artist this vital deserves a single disc career compilation so that casual fans can take the prize home, but this is a complaint lodged at Universal not the artist. Disc 1 does serve as a hits collection but why is it imprisoned in this set and not available on its own? Oh well, in today’s digital landscape, fans can get the hit songs they want online if they’d rather pick and choose.

Aaliyah's natural talent led to her knowing when and where to place her vocals. She never over-sang, as so many of her contemporaries did. Of course, her producers and songwriters deserve much credit, but her work undeniably bears her own personal stamp and it remains a cornerstone for the modern urban and RnB landscape.

POST #1 OUTTA THE WAY

Now that Post #1 is over and done, here's a quick summary of what this blog is all about. Quite simply, I am starting with a whole bunch of "A" artists and reviewing their works. The ratings system works as follows

***** (5 stars)  classic or essential works
**** (4 stars)    excellent, for most artists, this will represent the peak of their work
*** (3 stars)      good. appeal will be primarily for already established fans of the artist
** (2 stars)        fair. fans may enjoy but everyone else is advised to steer clear
* (1 star)           bad and bad and bad. not good, in other words
 (0 stars)            listening to this album may propel you to suicide. caution strongly advised.

This is all just for fun from a diehard lover of all kinds of popular music.....

PAULA ABDUL DISCOGRAPHY

Forever Your Girl (1988)              ***.5 (3.5)

Shut Up and Dance (1990)             ** (2)

Spellbound (1991)                           *** (3)

Head Over Heels (1995)                 **.5 (2.5)

Greatest Hits (2000)                       ***.5(3.5)

Straight Up: Greatest Hits (2007) **** (4)

Paula Abdul had been a dancer and a choreographer, responsible for the dance moves in iconic videos by Janet Jackson and others. When she released her 1^st album in late summer 1988, it was initially ignored. But persistence pays off. The 3^rd single from the album “Straight Up” also started off slow but would climb all the way to #1 in early 1989. A year later, Abdul would have an incredible four #1 singles from her debut, a record that still stands. So what was it about this debut CD that sold an amazing seven million copies in the US alone? Well, it’s hard to pinpoint exactly. It certainly wasn’t Abdul’s voice. Was it her personality? It’s clear that she was one of the spiritual children of Madonna, but she was far more successful than any of the other knock-offs and clones that record labels paraded out in the late 80s. Perhaps it was simply her moment in time and she grabbed it and ran.

Then again, a listen to Forever Your Girl reveals that Abdul did record some pretty good songs. For many, “Straight Up” captures much of the essence of 1989. The best song on the album, though, is undeniably “Cold Hearted” whose slinking groove weakened many otherwise reasonable souls on its way to Gold status. And “Opposites Attract” – the video of which displayed Paula singing a duet with a cartoon character – was simply fun in a way that is too often missing from the pop charts (at least in the USA).

Sometimes, you have to strike while the iron is hot. Virgin realized this and threw out Shut Up and Dance (The Dance Mixes) in 1990. This crass example of commercialism gone haywire merely contained remixes from her debut with a medley of her biggest hits. Naturally, it sold over a million copies. The trick had worked for Madonna as well a few years earlier, but at least she had three albums to draw from compared to Abdul’s one.

When Paula Abdul returned in 1991, it was with a bang. The video for “Rush Rush” was a homage to the classic James Dean film Rebel Without a Cause and co-starred Keanu Reeves. It was completely over the top and yet it worked – much like the song itself. For this writer’s money, “Rush Rush” is Abdul’s overall best song. Apparently the nation agreed as it jumped to #1 and stayed there for five weeks – the longest run at the top of the Hot 100 since early 1985. Unfortunately, the rest of Spellbound doesn’t live up to the lead single’s promise.  “The Promise of a New Day” became her 6^th and final #1 single but “Vibeology” was more in line with the debut’s antics. “Blowing Kisses in the Wind” has also stood the test of time well but most of the remainder is fairly forgettable.

Head Over Heels followed in 1995. Pop music rarely stands still (though trends tend to repeat on a fairly cyclical basis) and much had changed since Spellbound had been released. Abdul’s response was to lean toward a slightly more R&B feel (“If I Were Your Girl” & “My Love Is For Real”) though some songs (“Sexy Thoughts”) sounded just like 1989. Ultimately though the public had moved on and the album barely went gold (still an impressive half a million but compared to earlier Abdul albums, this was rather stale) and produced a grand total of one Top 40 hit. The relative merits of the album (or lack there-of) were lost amongst the public failure of the work. Abdul turned to other entertainment pursuits: acting and eventually achieving a bizarre level of fame as one of the three judges for the 1^st several years of American Idol. Ironically, this series probably made her better known to the public at large than all of her millions of albums sold – such is the power of television.

As for the compilations available, Greatest Hits curiously includes the album versions of all her hit songs. Most of Abdul’s singles were remixed into “single versions” and Straight Up: Greatest Hits gets things right by including the versions that were heard all over the radio and played constantly on MTV and VH1 back in the day. All the hits (and a few choice LP cuts) are present in the punched-up sounds that you remember, if you were there. If you weren’t there, you may be curious to know just why that American Idol judge Paula is famous – here’s the answer. (The verdict’s still out on Randy Jackson). Speaking of Jackson, Abdul emerged in the late 2000s with a single “Dance Like There’s No Tomorrow” from his album project and it scraped the bottom of the Hot 100 (which actually isn’t too bad for an artist far removed from her peak years), but it didn’t lead to a new album and Abdul remains better known in the 2010s as a reality TV judge….

COLD HEARTED (Music Video)

RUSH RUSH (Music Video)